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When a band sounds a lot like at least four other bands when you listen to it, that is usually a terrible sign. “What is this copy cat band?,” you might think. But with Jonquil, the bands their music conjures are so disparate that it’s almost funny to listen. Like, how did they do that? Does each band member bring an idea to each song writing session? For me, I hear The Slip’s “Honey Melon,” which I will admit, was a favorite song of mine in the year 2000. (I was smoking at Hampshire College, after all.) I also hear some Vampire Weekend a little bit. And even, dare I say, Tanlines? Eric Emm’s vocals are not too far off… And then there’s the inevitable British melodies that wander through their new EP, One Hundred Songs.
What do you hear? Below take a taste with “Get Up,” which is the “approved” postable song, but definitely not my favorite. Still really, really nice though.
Jonquil: Get Up
Check out a song off a WIRE comp from ’07, “Sudden Sun.”
These past two weeks my attention has been placed elsewhere, my mind totally devoted to a new job. My brain hasn’t been able to break away from that, not even to soak up and share the sounds of musical therapy. But it’s Saturday and i just heard Seapony.
Seapony hails from Seattle, no doubt a place that sits in the collective memory banks of all those who don’t live there. When I think of Seattle I think of three things: grunge, Starbucks and rain. I’d bet that’s what many, many people think of. But when you live in that place, when you experience it every day, you confuse the collective minds of those outside. So Seapony, they make music that doesn’t sound like rain, grunge or corporate coffee.
There’s some hazy reverb a la Real Estate in these songs, which is likely what attracts me. There’s also some girl group jangly jams a la Vivian Girls (but prettier). But what these few Seapony songs have is the catch of the day melody thing that is missing from a lot of music. I don’t want to say easy listening, but this is easy to listen to. And sometimes that’s just what you need.
Hear much more at Bandcamp.
Matt Papich at the Market Hotel, circa 2008.
Ecstatic Sunshine has been on the experimental music radar for years, beeping and blipping and moving in and out of focus and frequency all the while. Last winter I sat down with Matt Papich and he said he was interested in “sound’s ability to sculpt space” and “affect the environment” where music is being played. Well, this Friday night at the Rose Quartz x MME Unofficial CMJ Showcase we can all find out exactly what happens when Papich sculpts space and alters environments with sound.
Papich tours Europe quite frequently and sent over a recording of the song “Faceplant,” recorded live in Katowice, Poland earlier this year. Check it out in ANTICIPATION.
Ecstatic Sunshine: Faceplant (Live in Katowice, Poland)
Getting emails from Matt at Funny/ Not Funny Records always brightens my day. The label puts out the best of the halfway-Southern indie genre, and today they posted a free Fall Mix for stream/download on their site. “13 new tracks from the F/NF past, present, and future family!”
Cedermark happens to be playing the Rose Quartz x Microphone Memory Emotion Showcase a week from today, that’s next Friday, Oct. 22 at Shea Stadium. It’s going to be a righteous jam of a night, get pumped with this gorgeously aching track, “Why We Exist.” Reason: To listen to music…
Andrew Cedermark: Why We Exist
Dent May– Because you know what music you like, but you don’t know much about Mississippi (except how to spell it).
Steve Gunn– An intoxicating guitar song is as necessary as water.
Spectre Folk– Pete Nolan. Pete Meehan. Steve Shelley. A pretty and twisted racket…
Woodsman– Get foggy!
tooth ache.- Intricate soundscapes from a Vermont solo star.
TASTES to whet your appetite…
Dent May: Eastover Wives
tooth ache.: Skin
Also previously posted: “Mr. Franklin” by Steve Gunn.
Here’s a demo version of the great Family Portrait song, “Glide Part 1,” a song set to appear on the band’s upcoming LP on Underwater Peoples. Evan J. Brody’s wailing vocals are present, of course, and so is a pretty tambourine line. Press play and live out the rest of your Thursday harmoniously.
The band’s been playing this song live for a little bit– if you haven’t heard it you’ve got a few chances next week! Family Portrait plays the Rose Quartz x Microphone Memory Emotion Unofficial CMJ Showcase on Friday, Oct. 22 at Shea Stadium. Flyer below.
Family Portrait: Glide Part 1 (demo)
Thanks to Tom at The Great Pumpkin for giving me this video to post. I missed the Group Tightener party where this video was shot and luckily this great Dead Gaze video helps to fill that void a little bit. Furlow is an aggressive guitar player and his vocals, both here and on tape, are layered in reverb, adding depth to an already thick sound. Even as a two-piece Furlow makes a mess in your ears.
Cole Furlow will be in NYC for CMJ and is also playing an MME/ Pop Gun show at Glasslands on Nov. 12 with Blank Dogs (album release), Velvet Davenport and Swimsuit. BE THERE and get tickets here.
Check out a track from the new Firetalk 7″ from Dead Gaze.
Dead Gaze: Take Me Home or I Die Alone
The bee is the pollinator. The flower is so pretty. The butterfly came from a nasty coffin that was actually its beginning and not its end. What is the crazy but simple process of reproduction, growth, life? Ask your self that question and the only answer you’ll get, while watching this video, will sound like a comforting “hey yo” that buzzes and bounces around inside.
Woodsman video for “When the Morning Comes” …
Woodsman plays Micro-Pixel-Rites Official CMJ Showcase on Tuesday, Oct. 19 at Glasslands. Doors at 830.
Dent May// Steve Gunn// Spectre Folk// Woodsman// tooth ache.
Woodsman: When the Morning Comes
“Meds” is a morning-time wake-up call, gently easing you into your day. Composed and performed by the two-piece NYC band Phone Home, the song is an amalgamation, a gentle mash of comforting synths and driving force jazz-influenced percussion. In the confusing haze of “chillwave,” this song stands out for its defiance of that. With simple grace, the song stays away from a cutesy 80s sound, and the piano’s affect is not totally unlike that of The Verve’s “Bittersweet Symphony.”
Phone Home: Meds
Good songwriters flock to each other. One generation inspires the next. While many of today’s musicians can claim Bob Dylan as an influence, only Dave Longstreth and the other members of Dirty Projectors are wearing that loving allegiance so proudly and boldly on their sleeves. The band has covered Dylan multiple times– and not just in raucous live settings but in studios, too. (And once for Levi’s.)
On the new Bitte Orca extended release the somewhat obscure Dylan tune “As I Went Out One Morning,” which Dylan only performed live once, is featured. It’s a perfect DP’s cover because they truly make it their own, which actually isn’t too hard at this point because the vocals from the sirens in the band are so firmly entrenched in any indie fans head as typical Dirty Projectors. Those voices are unmistakeable.
This coupling of contemporary and ancient genius is, for many, a match made in heaven. Bob Projectors. Dirty Dylan.
Dirty Projectors: As I Went Out One Morning (Bob Dylan cover) (STREAMING ONLY, I SAW ONE SITE HAD TO TAKE IT DOWN PER DOMINO’S REQUEST)
Dirty Projectors: Dark Eyes (Bob Dylan cover)